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Panamarenko, Jan Fabre, Vaast Colson, James Lee Byars, Gordon Matta-Clark, Robert Filliou, Jacques Lizène, Andrei Monastyrski, Hamlet Hovsepi
"... They cannot be reduced. They’re not representable. The claim of the complexity of their design is irreducible. They never give the impre
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During several of his performances of the late 1970s and early 1980s, Jan Fabre introduces the ballpoint pen as an alternative for the art of
As an important source of inspiration and motivating force to create his performances, Jan Fabre cites his visit as a young student to an exh
Catastrophe and The Relevance of Art (with a reflection by Nikita Kadan) Art transcends the moment and situationalism. It has a proper au
The M HKA holds works on permanent loan that were acquired with the budget of the Vlaamse Commissie voor Beeldende Kunst (Flemish Visual Art
As a young streetfighter Jan Fabre starts to recognize the beauty of the language of the street. The sense of loyalty that reigns there is v
Since the end of May 2002, the M HKA has strayed from the beaten track of museum catalogues. The M HKA does not consider a systematic thereof
During several of his early performances, Jan Fabre attempts to make his mark on art history, critically reflecting on the work of art as com
The M HKA’s contemporary art collection has grown thanks to a combination of acquisitions, donations and long-term loans from various public
We're happy to share a number of artworks which will be on display in our new collection space as of 27 April 2017.
THE SPACE OF GROUNDED IMAGINATION This description came to our mind when discussing the possible proximity of artists such as Jan Fabre,
Jan Fabre's fascination for the body and for science goes back to childhood days. The young Fabre liked nothing better than studying the wor
14.11 - 14.12.2022 Oskar-Jäger-Strasse 97-99, 50933 Cologne Open every day, 10:00 – 18:00 The Ukrainian fight is about the sur
