M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Ensemble: CULTURE WARS

Themes & Categories

>MONOCULTURE – Segregation.

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>MONOCULTURE – Identity Politics.

>MONOCULTURE – Key Exhibitions in New York.

>MONOCULTURE - Culture Wars. Belgian context.

>MONOCULTURE – Unipolarity.

Works

>Sexual Behavior in the Human Male, 1948.Book, paper, ink.

>Alfred C. Kinsey, Wardell B. Pomeroy, Clyde E. Martin en Paul H. Gebhard, "Sexual Behavior in the Human Female", 1953.Book, paper, ink.

>Theodora Kroeber, "Ishi in Two Worlds: A Biography of the Last Wild Indian in North America", 1961.Book, paper, ink, 2.7 x 15.7 x 23.7 cm.

>Andy Warhol, Birmingham Race Riot, 1964.Print, screenprint on paper.

>Desmond Morris, "The Naked Ape: A Zoologist's Study of the Human Animal", 1967.Book, paper, ink, 23 x 15.5 x 2.8 cm.

>Philip Guston, Law, 1968.Painting, acrylic on panel, 76 x 81 cm.

>Kenneth Clark, "Civilisation: A Personal View", 1969.Book.

>Ursula K. Le Guin, "The Left Hand of Darkness", 1969.Book, 10,7 x 18 x 1,7 cm.

>Desmond Morris, "The Human Zoo", 1969.Book, paper, ink, 23 x 15.5 x 2.8 cm.

>Ursula K. Le Guin, "The Lathe of Heaven", 1971.Book, 14,5 x 21,6 x 2,3 cm.

>Ways of Seeing, 1972.Book.

>Joseph Beuys, COYOTE – I Like America and America Likes Me, 1974.Other.

>Ursula K. Le Guin, "The Dispossessed", 1974.Book, 10,5 x 17,6 x 2,3 cm.

>Ursula K. Le Guin, "The Word for World is Forest", 1976.Book, 14,5 x 21,2 x 2,5 cm.

>Ursula K. Le Guin, “Is Gender Necessary?", 1976.Book, 10,7 x 17,7 x 1,6 cm.

>Andy Warhol, from The American Indian series, 1976.Painting.

>Andy Warhol, Marilyn Monroe (Marilyn) - Reversal Series, 1978.Print, screenprint on hmp paper, 79×59 cm .

>Human Events, Vol. XXXVIII, no. 1-52, 1978.Book, ink, paper, 28 x 35.5 x 6.5 cm.

>Jean-François Lyotard, "La Condition Postmoderne", 1979.Book, 21,9 x 13,2 x 0,9 cm.

>Jimmie Durham, Tlunh Datsi, 1985.Sculpture, skull, feathers, turquoise, acrylic paint, shells, wood, 103 x 91 x 81 cm.

>Judith Butler, "Gender Trouble", 1990.Book, 15 x 22,7 x 1,2 cm.

>Camille Paglia, "Sexual Personae: Art and Decadence From Nefertiti to Emily Dickinson", 1990.Book, paper, ink.

>The Decade Show: Frameworks of Identity in the 1980s, 1990.Book.

>James Davison Hunter, "Culture Wars: The Struggle to Define America", 1991.Book, paper, ink, 16 x 24 x 3.5 cm.

>Francis Fukuyama, "The End of History and the Last Man", 1992.Book, paper, ink, 24 x 16 x 3 cm.

>Catherine Opie, Portraits: Chloe / James / Pig Pen , 1993-1997.Photography.

>1993 Whitney Biennial Exhibition, 1993.Book.

>Samuel P. Huntington, "The Clash of Civilisations and the Remaking of World Order", 1996.Book, paper, ink, 24 x 16.3 x 2.8 cm.

>Kerry James Marshall, Untitled, 1998-1999.Print, ink, paper, 12 x (250 x 122 cm).

>David Blandy, From the Underground, 2001.Video.

>Clifton and Karl Kroeber, "Ishi in Three Centuries", 2003.Book, paper, ink, 2.6 x 15.3 x 22.7 cm.

>Lynette Yiadom-Boakye, Nourish the Talented.Painting.