M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Ensemble: EURASIA − A Landscape of Mutability

Verberg deze beschrijving

Werken

>Marina Tsvetaeva, Версты/Versty, Vol. 2, 1927.Periodical.

>K.P. Krishnakumar, Untitled, 1982.Drawing, (x25) variable dimensions.

>Joseph Beuys, Samurai Schwert [Samurai Sword], 1983.Multiple, multiple of felt and steel, 9 x 54 cm.

>Vladislav (Vlad) Mamyshev-Monroe , Pirate TV, 1990.Video, monitor, frame, dvd, 00:32:00 min, 77 x 95 cm.

>Koka Ramishvili, War from My Window, 1991-1992.Installation, b/w photo, 12 x (30 x 40 cm).

>Kerala Radicals, C K Rajan, Untitled, 1992-1996.Collage, collage, paper, 25 x (210 x 290 mm).

>Izmail Efimov, Ethno-Futurist Watercolours, 1993-2014.Painting, watercolour on paper.

>Jimmie Durham, Gilgamesh, 1993.Sculpture, wood, iron, pvc, axe, metal, 355 x 63 cm, 300 x 140 cm.

>Ilya & Emilia Kabakov , 10 Characters - Album 1-10, 1994.Book, paper, 10 x (52.5 x 37 cm).

>Ulay, 7 in a boat, 2000.Other, hand-knotted 100% silk, 400 x 274 cm.

>Suchan Kinoshita, Pijlen [Arrows], 2002.Video.

>Yelena Vorobyeva & Viktor Vorobyev, Kazakhstan. Blue Period, 2002.Installation, 105 x (40 x 60 cm).

>Anatoly Osmolovsky, Dusty Phrases / Пыльные фразы , 2003.Installation, dust.

>Oleg Kulik, Gobi Test. Summer (The Gobi Test, or the Unbearable Charm of Mongolia), 2004.Video, dvd, 00:31:00 min.

>Hüseyin Bahri Alptekin, H-Facts: Horses and Heroes , 2005.Mixed Media, mixed media, polyurethane copies of quadriga, 28 i̇znik tiles, 3 videos, sound, 23.5 x 23.5 cm (each of İznik tiles),00:19:51 (H-Fact: History: Horses & Heroes),00:07:16 (Potemkin Staircases),00:03:55 (Cupolas Istanbul).

>Gulnara Kasmalieva & Muratbek Djumaliev , Trans-Siberian Amazons, 2005.Installation, 150 chinese bags, dvd, 3 monitors, speakers, 3 dvd players, paper, carton, 00:02:03 min, 150 x (80 x 60 x 30 cm).

>Oleg Kulik, Gobi Test. Winter (The Gobi Test, or the Unbearable Charm of Mongolia), 2005.Video, dvd, 00:22:00 min.

>Janek Simon, The Holiday House, 2006.Maquette, balsa model , 44 x 38 x 26 cm.

>Janek Simon, Chinese Calculator, 2006.Other, modified unitra calculator, 14 x 7 x 2.5 cm.

Geen foto

>Mater Mea, 2007.Audio and visual equipment, video film, sound loop, 00:08:00.

>Goshka Macuga, When was modernism?, 2008.Installation, mixed media, variable dimensions.

>Basir Mahmood, Lunda Bazaar (Secondhand Clothing Market), 2010.Video, video, 00:13:44.

>Ria Pacquée, Hats, 2011-2019.Projection, digital slideshow, 00:04:18.

>Etel Adnan, Freedom of People, Freedom of Plants, Freedom of Nature, 2011.Realized Work, leporello: ink, color and oil pastels, 18.1 x 285.6 cm .

>Slavs and Tatars , Mother Tongues and Father Throats, 2012.Other, wool, yarn, 500 x 300 x 3 cm.

>Etel Adnan, Kassaed Bain Chajer (Poetry between Trees), 2012.Realized Work, leporello: japanese ink, 24.5 x 504 cm .

>Thea Gvetadze, If it takes forever, I will wait for you , 2012.Painting, mixed media on black velvet, 100 x 140 cm.

>Taus Makhacheva, Landscape, 2013.Installation, series of wooden objects, carved by kazbek alikhov.

>Taus Makhacheva, Way of an Object, 2013.Sculpture, theatre with three objects-turned-puppets, a kubachi marriage bracelet, a carved wooden saltbox and a painting by russia’s viktor vasnetsov of a prophet bird.

>Janek Simon, Man with the Head of Dog 1-5, 2015.Sculpture, 3d print, pla polymer, 47 x 17 x 15 cm (each).

>Ives Maes, Soviet Stereographs, 2015.Mixed Media, inkjet prints, lightjet prints, oak frames, stereoscope viewers, 300 x 1060 x 60 cm.

>Lee Bul, Aubade IV, 2015.Installation, stainless-steel structure, acrylic, polycarbonate sheet, glass paint, led lights, electrical wiring, fog machine, Variable dimensions.

>Evgeny Antufiev, Untitled, 2015.Sculpture.

>Evgeny Antufiev, Untitled, 2015.Sculpture, fabric, wolf tooth, 40 x 19 x 11 cm.

>Michèle Matyn , Made Mayrem, 2015.Installation, willow stick, tree trunk, fabric, beeswax, pigment, digital print on baryt , Variable dimensions.

>Babi Badalov, I am Euromental, 2015.Installation, 27 sheets, ink on cotton, variable dimensions.

>Femmy Otten, Untitled, 2016.Other, oil, limewood, 27 x 35 x 18.5 cm.

>Femmy Otten, Ontklede dagen (Days Undressed), 2016.Sculpture, wood, 98 x 33 cm.

>Damian Le Bas, Roma Armee Fraktion Mr Brexit Missed Exit, 2017.Collage, pen, stickers, collage on printed map, 92 x 61 cm.

>HAEGUE YANG , A Chronology of Conflated Dispersion – Duras and Yun, 2018.Artist Novel, subjectively edited biography of two historical figures.

>Qiu Zhijie, Map of China-Arab Relations, 2019.Collage, ink on paper, 370 × 880 cm.

>Janek Simon, Synthetic Folklore v0.1.1, v0.1.2, v0.1.3, 2019.Mixed Media, mosaic, acrylic glass, 3 x (140 x 100 x 2).

> Zheng Mahler , The Master Algorithm, 2019.Installation, hologram installation, 200 x 200 x 40 cm.

>Etel Adnan, Les oliviers III, 2019.Drawing, pencil and ink on booklet, 18 x 12 cm .

>Femmy Otten, Untitled, 2020.Sculpture, plaster, acrylic paint, pencil, 34 x 37 x 4 cm.

>HAEGUE YANG , Sonic Intermediates, 2020.Installation, powder-coated steel frame, powder-coated mesh, powder-coated handles, casters, red brass plated bells, metal rings, plastic twine, broom, Variable dimensions.

>Lin May Saeed, Hawr al-Hammar/Hammar Marshes, 2020.Installation, cardboard, transparent paper, wood, fluorescent lights, 260 x 508 x 50 cm.

>Lin May Saeed, Pangolin, 2020.Installation, styrofoam, steel, plaster, acrylic paint, wood, 134 x 107 x 38 cm.

>Metahaven , DVD Zone 5, 2020.Mixed Media, jacquard weaving, wool and lurex, 245 x 150 x 0.5 cm.

>Sara van der Heide, Four Months, Four Million Light Years, 2020.Installation, film installation, watercolours, paper- and textile banners, Variable dimensions.

>HAEGUE YANG , A Chronology of Conflated Dispersion – Duras and Orwell, 2021.Text, subjectively edited biography of two historical figures.

>Pejvak , Unfortunately, It Is Not Open to Public, 2021.Installation, steel, clothing, screens, short wave radio receiver, wood, wire, Variable dimensions.

>Pedro G. Romero, Las pantallas (Eqqus Ferus Caballus), 2021.Installation, video installation, printed screens and two-channel video, 01:30:00.

>Ieva Rojūtė , Gentle Word (Švelnus Žodelis), 2021.Collage, sticky foil, water based paint, sticky paper, Variable dimensions.

>Femmy Otten, Rainbow Circle III, 2021.Other, burl wood, tempera on the wall, Variable size (250 x 600 cm).

>Metahaven , Eurasia (Questions on Happiness), 2021.Installation, video, video wall, sound, wool, cotton, wood, 275 × 600 × 200 cm; 70'.

>Seth Siegelaub, Items van Stichting Egress Foundation opgericht door Seth Siegelaub.Mixed Media, textiel en boeken.

>Joseph Beuys, The Orwell Leg – Trousers for the 21st Century.Multiple, multiple of denim jeans with holes cut in the knees.

>Deimantas Narkevičius, A Tang of Lomo Film.Installation, transformer, amplifier, two speakers.