Ensemble
Vanessa Van Obberghen, Tracing Cheikh Anta Diop , 2014. Photography, digital print on aluminium foil mounted on dibond, 150 x 100 cm.
Sofie Muller, AL/IL/17, 2017. Installation, plaster, metal, 65 x 100 x 150 cm.
Jan De Lauré, Untitled, 2014. Painting, oil on paper, 63.3 x 82.3 cm.
Artūras Raila , Under the Flag , 1999-2015. Video, 2 channel digital video, color, sound, 00:20:00.
It seems clear that in the case of Dymphna, the sting – t.i., the violence – is in the tail of her story, in the beheadings and the flickerin
Dymphna is interwoven with Christianity, from her secret baptism by her confessor and confidant Gerebernus, to the care for the poor and need
It's a crazy story, that of Dymphna, and a story full of madness. The devil lurks around every corner. But what is the core of the madness he
Dymphna escaping over sea with her confidant Gerebernus to mainland Europe is a key example of migration, a story in which many refugees will