Ensemble
Bruce Nauman, Violent Incident-Man/Women Segment, 1986. Installation, vhs, 00:00:28.
Els Dietvorst, Stigmata, 2018. Drawing, red-black ink on simili japon, 16 x 11.9 cm.
Artūras Raila , Under the Flag , 1999-2015. Video, 2 channel digital video, color, sound, 00:20:00.
Wafae Ahalouch el Keriasti, Some like it Not!, 2003. Painting, acrylic, chalk, canvas, 200 x 250 x 4.5 cm.
Dymphna is interwoven with Christianity, from her secret baptism by her confessor and confidant Gerebernus, to the care for the poor and need
It's a crazy story, that of Dymphna, and a story full of madness. The devil lurks around every corner. But what is the core of the madness he
It seems clear that in the case of Dymphna, the sting – t.i., the violence – is in the tail of her story, in the beheadings and the flickerin
Dymphna escaping over sea with her confidant Gerebernus to mainland Europe is a key example of migration, a story in which many refugees will