Guillaume BijlActor from M HKA Ensembles

Guillaume Bijl

©image: M HKA

1946 - 2025

Born in Antwerp (BE), died in Antwerp (BE).

Guillaume Bijl is known for his large-scale installations and visual realism. Since the late 70s, Bijl created realistic decors using found objects. In doing this, he had a pioneering role in the resurgence of the ready-made. Bijl shows the audience various aspects of our western ‘civilisation’ and consumer society. Using extreme stereotypes, he creates a sort of ‘archeology of our time’ in a tragi-comedic, alienating way.

After searching for a mode of expression which could enable the audience’s involvement, the young Guillaume Bijl, a self-taught artist, started creating projects on paper in the seventies (‘Project Pleasures’). The most important series comprised nine ‘Treatments’. This series exposes various societal determinations and phenomena like the church, the army, the education system, the holiday business, sex, businessman or the daily grind of blue-collar workers. In these depictions on paper Bijl draws a trail, accompanied by a step-by-step script, guiding the visitor from room to room to follow the life course of, for example, a soldier. It’s these projects at the root of his following oeuvre both visually as in content.

In 1979 Guillaume Bijl creates his first installation Autorijschool Z at Ruimte Z, an artist-run gallery in Antwerp. The artist exposes what shouldn’t have happened: the gallery being turned into a less appealing commercial institution, a driving-school. In this life-like décor, the artist provided chairs and benches for the students, a blackboard, didactic boards with traffic signs, a model of an engine… In this first installation three elements that will become characteristic for his entire oeuvre can already be recognised. Firstly, there’s a game between fiction and reality resulting in a sense of alienation or confusion for the spectator caused by the artist’s act of displacement. Secondly, Bijl criticises a contemporary societal phenomenon and, last but not least, the fact that the installation is placed inside an art space, turns every object into a sculpture and a visual image.

This driving school was the first of a series of transformation-installations, which evolved into a visual epos of societal phenomena. In many museum institutes and galleries, Bijl created a Fallout Shelter (Liège, 1985), a Shooting Gallery (Eindhoven, 1985), a Caravan Show (Grenoble, 1989), a Supermarket (Tate Liverpool, Frankfurt, Basel), a Central Airport Basel (1986), a Futon Store (New York, 1989), a Wig store (Brussels, 2012), a dog grooming salon (Zürich, 2016), etc.

In addition to these transformation-installations, there are 5 other types of works in Bijl’s oeuvre. The names for these different types of works are also the titles for the works. Sometimes there is a “Tableau Vivant” / Performance on the Opening.

In his situation-installations, Bijl creates fiction in reality, usually in public space. In 1995 for instance, he mounted stuffed birds on roofs and lanterns during Documenta 9 in Kassel.

Compositions, mostly called Composition Trouvée, are fragments from reality, objects that seem to have been taken from antiquaries or gift shops. These often kitschy-looking works are smaller in scale and always thoughtfully put together.

His Sorry works can take on different forms. They are compositions of objects or installations with an absurd element to them, making them fall out of reality, into the surreal. A beautiful example is the bird’s nest containing one red and two white billiard balls, a bizarre still life.

With his Cultural Tourism theme, Bijl creates installations that zoom in on banal museums and mass-tourism phenomena, as for example in Roman Road (Middelheim Museum, 1994) or the installation Lederhosen Museum (Graz, 1997).
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Media

>"I remain essentially an anarchist and you have to be a bit of an anarchist to understand my work... and have a sense of humour. I am one hundred percent committed." - Guillaume Bijl

>'Guillaume Bijl in 700 words', 2012

Worksfilter for M HKA works

>Guillaume Bijl, Project - notities [Project Notes], 1969-1975.Drawing, ink, paper.

>Guillaume Bijl, Behandelingen, 1975-1979.Collage, ink, paper, 6 x (80 x 60 cm).

>Guillaume Bijl, Project Pleasures, 1977.Collage, ink, paper, 6 x (80 x 60 cm).

>Guillaume Bijl, Projecten [Projects], 1977.Drawing, ink, paper, 13 x (30 x 40 cm).

>Guillaume Bijl, 10 kleurenfoto’s van installaties, 1979-1985.Photography, photographs, 31 x 49 cm.

>Guillaume Bijl, Autorijschool Z [Car - driving school Z], 1979-1989.Installation, mixed media, 260 x 535 x 1024 cm.

>Guillaume Bijl, CHAUSSURES Icécé, 1980.Performance.

>Guillaume Bijl, CHAUSSURES Icécé, 1980.Mixed Media, ink, paper, paint, wood, variable dimensions.

>Guillaume Bijl, 235 Belangrijke en Minder Belangrijke Foto's van de 2de helft van de 20e Eeuw. [235 Important and Less Important Photos from the 2nd half of the 20th Century.], 1986-1995.Installation, photo, paper, 235 x ( 26 x 19 cm).

>Guillaume Bijl, Sorry, 1987.Sculpture, mixed media, 15 x 8 x 15 cm.

>Guillaume Bijl, Mon Chalet [My Chalet], 1987.Installation, mixed media, 310 x 310 x 230 cm.

>Guillaume Bijl, Guillaume Bijl 'Four American Artists (Janet Fleisch, William Hall, Sam Roberts, Rick Tavares)', 1988.Book, ink, paper, 25.9 x 20.9 cm, 11p., language : English, concept catalogue : Guillaume Bijl, publisher : Museum am Ostwall, Dortmund .

>Guillaume Bijl, Composition Trouvée (Rommelmarkt), 1988.Installation, mixed media, 75 x 220 x 230 cm.

>Guillaume Bijl, Guillaume Bijl - Passages - "An intro to creative visualization", 1989.Book, ink, paper, 21 x 14.9 cm, 59 p., published by Stichting Kunst en Projecten vzw, Zedelgem, series : Passages, nr. 3/1, idea/concept/layout by Guillaume Bijl.

>Guillaume Bijl, Neuer Supermarkt, 1990.Poster, ink, paper, 81 x 71.5 cm.

>Guillaume Bijl, TV-Quiz decor [TV Quiz Show Decor], 1993.Installation, mixed media, 1300 x 900 x 400 cm.

>Guillaume Bijl, Composition Trouvée (à l'affiche / prochainement), 1993.Installation, mixed media, 100 x 180 x 6 cm.

>Guillaume Bijl, Guillaume Bijl, 1996.Book, ink, paper, 23 x 31,5 cm, 136p., publisher : Museum van Hedendaagse Kunst, Antwerpen, ISBN : 90-72828-02-X.

>Guillaume Bijl, Sorry, 2014.Multiple, 35 x 35 x 40 cm.

>Guillaume Bijl, Sorry (Paddestoelen), 2016.Sculpture.

>Guillaume Bijl, Affiches.Poster, ink, paper, variable dimensions.

Exhibitions & Ensembles

> Exhibition: A NON-U-MENTAL HISTORY OF M HKA – Part 1: Foundation Gordon Matta-Clark. 02 May 2021 - 29 August 2021.

> Exhibition: EXTRA MUROS: Geel – Middle Gate II – The Story of Dymphna. 15 September 2018 - 04 November 2018.

> Exhibition: EXTRA MUROS: Visite Bornem – Gedeelde Ruimte. 03 May 2014 - 25 May 2014.

> Exhibition: EXTRA MUROS: Visite Genk - Genkenaren kiezen kunst. 02 July 2014 - 31 August 2014.

> Exhibition: Guillaume Bijl. 13 April 1996 - 09 June 1996.

> Exhibition: Guillaume Bijl – “40 YEARS INSTALLATIONS" 1979 - 2019 (Celebration). 14 September 2019 - 05 January 2020.

> Exhibition: Guillaume Bijl - Projecten en Extensies (Guillaume Bijl - Projects and Extensions). 05 October 2012 - 20 January 2013.

> Exhibition: Museum E!: Els Vanden Meersch – Storyboard. 28 January 2017 - 25 February 2017.

> Exhibition: The Collection II and a Choice of Donations and Loans. 30 June 1990 - 04 November 1990.

> Exhibition: The Collection – Luc Deleu. 31 May 2003 - 17 August 2003.

> Exhibition: The collection XXVII – East of 4°24'. 03 March 2011 - 21 August 2011.

> Exhibition: The collection XXVIII – If You Shoot a Bullet in a Vacuum, Will It Keep Travelling Forever? (Emily Wardill). 17 June 2011 - 18 September 2011.