M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Henk Visch

©image: Galeria Biała, Lublin 2002

° 1950

Born in Eindhoven (NL), lives in Einhoven (NL), lives in Berlijn (DE).

Henk Visch is mainly active as sculptor, draughtsman and graphic artist. He has been exhibiting his sculptures since the beginning of the 1980s. Throughout his entire oeuvre, he works with a great range of materials and forms, and he makes both figurative and abstract work treating a variety of themes. In the titles he uses, as well, there is no single line: it goes from ‘untitled’ to very poetic and philosophical titles in English or German. Visch sees the title as identical to the sculpture or image. Titles belong to the work like the proper name belongs to its owner. They are identical. It says nothing about it. So while the titles sometimes appear to give us some indication of how to perhaps direct our thoughts, in the end their effect is rather confusing: one cannot find anything in there that one can the find in the work of art. According to Visch, the story of how a work was conceived can equally be of no explanatory help. In part this is so because he himself does not always know how a work comes to be; the subconscious inevitably has its say here. For Visch, the (his)story of a sculpture is always created anew by virtue of a viewer seeing it. Inevitably, it is up to us to bring meaning to the work. At the heart of Visch’s sculptures lie memories, dreams, impressions and associations.


>Henk Visch, Henk Visch - Het gebaar waarmee men dieren voedt, 1984.Book, ink, paper, 21 x 14.7 cm, language : Dutch, publisher : Fodor Museum, Amsterdam.

>Henk Visch, Henk Visch, 1989.Book, ink, paper, 11.5 x 15 cm, language : Dutch, English, publisher : Stedelijk van Abbemuseum, Eindhoven, ISBN : 90-70149-25-7.

>Henk Visch, Noch Einmal [One More Time], 1990.Sculpture, brass, 104 x 30 x 20.5 cm.

>Henk Visch, Feelings of affinity are extremely complex, 1990.Sculpture, silvered brass, 90 x 29.5 x 96 cm.

Exhibitions & Ensembles

> Exhibition: EXTRA MUROS: Tracés. Similarities and dissonants. 01 March 2012 - 31 March 2012.

> Exhibition: The collection XX: Jubilee. Who's got the Big Picture?. 29 June 2007 - 18 November 2007.

> Ensemble: Artist Books.

> Ensemble: Collectie Vlaamse Gemeenschap.

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> Ensemble: Figures.

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> Ensemble: kunstenaarsboeken uit de jaren '80 [artists' books from the 80s].

> Ensemble: NUCLEUS.