Window on Infinity - Room 07
Ensemble
A canvas with stainless steel reflectors, by Hermann Goepfert. A composition with mirror surfaces, by Christian Megert. A sculpted torsion form, by Walter Leblanc. Unlike his colleagues, Verheyen does not experiment with mirror, glass or steel. He paints in oil on burlap and sticks to the two-dimensional canvas. All these works nevertheless have one thing in common: they are in constant dialogue with the light. Verheyen and the ZERO artists invite us not to stand still and stare, but rather to move past the works. In that way we activate light and space and become part of the work.
Items
View all-

Publication of the exhibi...
Paul De Vree, Renaat Braem, Victor Vasarely, Jef Verheyen, Publication of the exhibition 'Integratie 64' with a cover design by Victor Vasarely, 1964. Periodical, ink on paper, 31,1 x 23,6 cm.
-

• 0504 • De Grote Pan - L...
Koninklijk Museum voor Schone Kunsten Brussel, Jef Verheyen, • 0504 • De Grote Pan - Le Grand Pan, 1963-1964. Painting, matt lacquer on fibreboard, 193 x 166 cm.
-
Untitled (For Jef)
Christian Megert, Untitled (For Jef), 1968. Sculpture, mirror glass and aluminium, 50,5 x 50,5 x 8 cm.
-

Journal published on the ...
Jef Verheyen, Harald Szeemann, Kunsthalle Bern, Journal published on the occasion of 'Weiss auf Weiss' curated by Harald Szeemann, Kunsthalle Bern, 1966. Book, ink on newspaper.
Actors
View all-

Yves Klein
The Yves Klein of 1959 already had an extreme reputation on the art scene. He had swept the table clear of arguments about form and color wit
-

Paul De Vree
Paul De Vree was a pioneer of European concrete poetry and a visual artist. He founded literary journals such as 'De Tafel Ronde' in Belgium
-

Victor Vasarely
Victor Vasarely (1908–1997, Hungary/France) moves to Paris in 1930 to work as a graphic designer and begins painting abstract geometric works
-

Günther Uecker
On his participation-sheet for Vision in Motion, Uecker calls his works ‘Objecte’. The monochrome white and yellow canvases on panel, and a w
