The collection XXX – The Museum of Forgotten History, with intervention by Maarten Vanden Eynde
29 June 2012 - 16 September 2012
M HKA, Antwerpen
Maarten Vanden Eynde’s project Museum of Forgotten History housed the remains of a possible future past. The exhibition took the form of fiction, a kind of science fiction, where a selection of works by Vanden Eynde and numerous works from the M HKA collection acted as props.
The exhibits touched numerous socially and politically relevant issues, such as post-industrialization, capitalism and ecology, and thus offered a perspective on the state of our society at the start of the 21st century. Through the presentation of these unusual items, all made with a variety of natural and artificial materials, Vanden Eynde continued his materials study, exploring the modern roots of ‘progress’.
The exhibition at the M HKA reflected the conventional order of the 'modern' museum. The Museum of Forgotten History, however, left room for the use of fiction as a means of interpretation, through the very playful logic of watching these unusual objects as if they were the 'discoveries' of the future. Beyond the physical objects of the exhibited artefacts, the role of the narrative took centre stage. Besides ‘the normal course of events’ and its layers of meaning, memory and projection, new facts were formed.
Items
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Image du Monde ou le Prob...
Ludwig Vandevelde, Image du Monde ou le Problème XXX, 1988. Sculpture, wood, oil, canvas, 400 x 11 cm.
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Moveable Observation Post...
Jouke Kleerebezem, Paul Perry, Moveable Observation Post/ High view point. Installation.
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Uncle-Chair
Franz West, Uncle-Chair, 2005. Installation, metal, plexi, 87 x 51 x 45 cm.
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Composition Trouvée (Romm...
Guillaume Bijl, Composition Trouvée (Rommelmarkt), 1988. Installation, mixed media, 75 x 220 x 230 cm.
Media
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Paul Van Hoeydonck
Paul Van Hoeydonck (1925, Belgium, lives in Antwerp) co-founded the G58 group in Antwerp, which organises a series of exhibitions at the Hess
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Guy Rombouts
Guy Rombouts (°1949) receives an education as a printer/typographer, and since the seventies he has been working on alternative communication
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Panamarenko
The Belgian artist Panamarenko (pseudonym of Henri Van Herwegen) studied at the Academy of Fine Arts in Antwerp from 1955 to 1960 but just as
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George Lilanga di Nyama
George Lilanga can be regarded as one of the pioneers of African contemporary art. He links various cultures and traditions in order to conve
Ensembles
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