Jos De Gruyter & Harald Thys

2019

Installation, 120 x 80 x 180 cm .
Materials: 3D-printed head coated in plaster, gypsum, aluminium, textile, clothes, wooden cart, varnish, acrylic paint

Collection: Collection M HKA / Flemish Community (Inv. no. BK009241).

Flap and Flop are two comedians from Bilzen, a village in Limburg. Flap and Flop’s jokes are so bad that no one wants to hear them. If Flap tells a joke, only Flop laughs, and vice versa. They travel from village to village in their cart. Sometimes Flop stands on the cart, and sometimes Flap. They go to the places where there are fairs and markets, and try to draw people’s attention by singing loudly or shouting jokes. However, they are always chased away and have mud and stones thrown at them. Once Flap and Flop had the idea of making a big trip to Spain. They were going to go by train, but they didn’t get further than the station of L. They spent half their money in a café next to the station celebrating their departure. When they finally went to set off, they were so drunk they couldn’t read the departure board at the station. So they didn’t go.
Flap and Flop spend the cold winters in Sint-Alexius, a clinic for the mentally disturbed. At the end of April, in spring, Flap and Flop are sent on their way, and they have to fend for themselves until the end of November, when they are readmitted to Sint-Alexius.
Flap likes to eat spaghetti with mustard sauce and onion. Flop likes white bread sandwiches with cheese and Nutella. Flap and Flop have been living like this for 30 years, and there is no prospect of their lives changing.

(Jos De Gruyter & Harald Thys)

About M HKA / Mission Statement

The M HKA is a museum for contemporary art, film and visual culture in its widest sense. It is an open place of encounter for art, artists and the public. The M HKA aspires to play a leading role in Flanders and to extend its international profile by building upon Antwerp's avant-garde tradition. The M HKA bridges the relationship between artistic questions and wider societal issues, between the international and the regional, artists and public, tradition and innovation, reflection and presentation. Central here is the museum's collection with its ongoing acquisitions, as well as related areas of management and research.

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