M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Fields 2.1, 2012

Installation

©image: Where Dogs Run

Fields 2.1 is an attempt to create an illusion of consciousness in non-living matter. A moving eye is a property that allows the viewer to perceive the ‘inanimate’ as the ‘conscious’. Using magnetic fields and ferrofluid technologies the artists build up a model of how non-living matter evolves which has an inherent organic characteristic to undergo random specific changes at specific moments of time. In the project consciousness (or its signatures) appears as a reaction to another consciousness (or its signatures) and comprises various relations between matters – from observation to interaction.

The installation is a glass container with a ferrofluid placed on a cylindrical podium. Over this container there are two cameras from which the image is projected onto two screens. A construction assembled from permanent magnets is hidden inside the podium resembling by its appearance an eye. Depending on the degree of magnetization, the angle and the movement of the magnets, different ‘swells’ appear on the surface of the colloid which are similar to an eyeball. When a viewer approaches the installation, (s)he first encounters ‘closed eyelids’. Then the ‘eye’ opens up and starts observing movements of the audience. Scaling of the images with the help of outdoor surveillance cameras becomes an integral part of the installation: the enlarged ‘eyes’ on the screens in their turn monitor the visitors. (Dmitry Bulatov)

Add to your list

Media

>Where Dogs Run - Fields 2.1, 2012.

>Where Dogs Run - Fields 2.1, 2012.

>Where Dogs Run - Fields 2.1, 2012.

Artist

> Where Dogs Run.

Exhibitions & Ensembles

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> Ensemble: Present Continuous V-A-C/M HKA.

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> Ensemble: 2017.